Salman Toor’s sumptuous and insightful figurative paintings depict intimate, quotidian moments in the lives of fictional young, brown, queer men ensconced in contemporary cosmopolitan culture. His work oscillates between heartening and harrowing, seductive and poignant, inviting and eerie.

In many of his paintings, he creates subtly disarming depictions of familiar domestic environments in which often-marginalized bodies flourish in safety and comfort. In other pieces, Toor creates allegorical spaces of waiting, anticipation, and apprehension; border crossings into a world that may or may not be welcoming. Central to his work are the anxieties and the comedy of identity. In creating his figures, he employs and destabilizes specific tropes in order to reflect on the way difference is perceived by the self and by others. As Whitney curators Christopher Lew and Ambika Trasi have noted, Toor’s project is one that examines “vulnerability within contemporary public and private life and the notion of community in the context of queer, diasporic identity.” Furthermore, in depicting the mundane and the memorable moments of his characters’ lives, Toor reveals a deeply relatable existence, ultimately creating an opportunity for empathy through the language of painting.